This is a very provocative poem and as always we are interested in your opinion.
In Edwin Brocks own words:
“This poem was written after hearing for the first time Benjamin Britten
called ‘The War Requiem’. It was one of those poems which wrote itself. I can
remember quite distinctly sitting rather stunned at the end of ‘The War Requiem’,
pulling out a piece of paper and starting to write and within a very short
time, perhaps half an hour, the poem was written and I can’t remember that I
ever changed a line”
There are
many cumbersome ways to kill a man:
you can
make him carry a plank of wood
to the
top of a hill and nail him to it. To do this
properly
you require a crowd of people
wearing
sandals, a cock that crows, a cloak
to
dissect, a sponge, some vinegar and one
man to
hammer the nails home.
Or you
can take a length of steel,
shaped
and chased in a traditional way,
and
attempt to pierce the metal cage he wears.
But for
this you need two white horses,
English
trees, men with bows and arrows,
at least
two flags, a prince and a
castle to
hold your banquet in.
Dispensing
with nobility, you may, if the wind
allows,
blow gas at him. But then you need
a mile of
mud sliced through with ditches,
not to
mention black boots, bomb craters,
more mud,
a plague of rats, a dozen songs
and some
round hats made of steel.
In an age
of aeroplanes, you may fly
miles
above your victim and dispose of him by
pressing
one small switch. All you then
require
is an ocean to separate you, two
systems
of government, a nation’s scientists,
several
factories, a psychopath and
land that no one need for several years.
These
are, as I began, cumbersome ways
to kill a
man. Simpler, direct, and much more neat
is to see
that he is living somewhere in the middle
of the
twentieth century, and leave him there.
Edwin Brock
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